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Heart of the Wounded Healer. June , Learn More. October Singing Over the Bones. Later, as a divorced welfare mother, she strove to go to college with a baby on her back while holding minimum wage jobs. She received her doctorate from The Union Graduate School in ethno-clinical psychology, the study of groups with emphasis on indigenous history. Her post-doctoral diploma certifying her as a psychoanalyst, is from the Inter-Regional Society of Jungian Psychoanalysts by charter of Zurich Switzerland.

I loved hairdressing school. It was my first culturally-approved profession. I loved working with people. This I saw time and again growing up. The harassments and demeaning of the people from the old countries, the driving of gifted immigrants and refugees into menial jobs. Some rebelled and were scarred up but found freedom eventually.

Some tried, but were pulled back and punished. Some by conforming lost their ways and died in spirit. Some never questioned, just went on singing the one-note given to them, one that put them to sleep instead of helping them to thrive fully alive. And some, many, made the zig-zag trip through the mine field and are still coming into their own power at last. They are now the beloved late bloomers whom I see everywhere I travel.

What was in them once has not died, just been put to temporary sleep. They are snapping awake in droves now. Those are buds for leaves and flowers that are yet to come. If you cut the limbs off or amputate the flowers …then the juicy, beautiful, warm fruit, hand-picked that is so nourishing, it will never come. If you cut the flowers off, there will never be fruit. The tradesmen and tradeswomen who had real craft were often the very few who had pride of place, peace and talent in their works, something the soul took huge satisfaction in, the crafts of the hands… yet these were still too few and far between, and never were they thought to be combined with broad education in other fascinating areas where the creative force also finds true home.

What is the way of learning the wonders of the world when you live not in the greater world? Yet, none of us were supposed to read James Baldwin, among others. I went to Catholic school so the Pope far away in Rome had a long list of books and films that we were never supposed to see or read as well, or else, we were told, we would lose our faith and then our souls.

Yet, witnessing the punishments that came to the young of my time when many decided to dress differently, look differently, read differently, think differently, I felt I could never forget… meaning watching those who retained the creative spirit and loving the heart of human beings who were so young …but also witnessing those egregious ones who literally cut all flowers off the young tree whenever they could, or else pruned the child so cruelly to within an inch of their lives, then leaving just one little tiny flower at the top to prove they were merciful.

I say this not in bitterness, but as a record of reality. This was the milieu I grew up in. CPE: I do. I think there has never before has there been a group of women who have walked the face of the earth that is as enormous as the group of women living right now… who have capability, access to knowledge, and the ability to implement it.

I feel that we are at a turning point that is huge… that in many places worldwide, women have refused for some time now to be forced into marriages, relationships, and livelihoods, into spending their days defending themselves. And have instead, turned slowly to eke out places of peace where they can create, where they can truly be alive, where they can develop their soul natures, where the ego learns to follow the soul rather than the other way around.

I am positive of this, in part, because my work is published in 36 languages and I hear from readers worldwide. I think, across the world, women have a sense that they are not alone. How did they learn this? Through books. Through films. Through stories in the new oral tradition, that is social networking. I think a great part of this phenomenon has occurred via the breaking down of some of the gatekeepers. We all have been unmuffled. You can unleash your creative life in whatever way… and there are ever so many ways of doing this, in multimedia, on and off the Internet.

However, old habits die hard. And, see. Yet, all these fears can still stop a woman from saying, dancing, bringing her piece to the world, even though she has this one precious thing now that was denied to her by myriad gatekeepers most all her life: she now has easy access to the larger world. A gifted woman can stop herself from expressing her gifts, by listening to those who have a much smaller view of life. Or by listening to those who want no competitors and hope to dishearten all comers.

This holding oneself back, is still an issue because all of us were programmed in some way and have often never til this time, had a chance to run to daylight, as they say, to break though completely.

The image that I understand and think is the preeminent image for the gifted, is The Dangerous Old Woman …because she goes where she wants to, says what she wishes, whatever comes straight up out of her bones. And she is a loving, decent person who cares deeply about the life and the soul inside others, inside creatures, inside this earth.

She is also a person who will not always mince words; who is not always predictable; who is absolutely not the doddering old woman with tiny pin curls unless she chooses for good reason to be so ; nor the know-nothing again, unless she deems this has merit for a time, or forever. The latter when not filled out, are caricatures shown time and again on television, in films and in humor books.

Humorous enough sometimes, but a genuine elder is far more complex. And dangerous. Neither is she the wise old woman sitting atop the mountain who knows anything and everything. She is, instead, a being in process and that, is the most dangerous thing of all; to not be pinned into one form only; one idea only; one way only, but instead to spin oneself into whatever shapes, aspects or disguises one wishes… and often will learn best by, in and from— each day, with self-inquiry and reflection watching.

First of all, there is an image at the beginning of The Dangerous Old Woman , which is a page manuscript that I finished over a year period of time. There was a specific image that I had received in my mind early on when I first started working on this manuscript. To back track for a moment: I had decided in my doctoral studies the area that I wanted most to specialize in was understanding what elderly people knew about life that had meaning.

She continues to work with survivors and survivor families on both east and west coasts. She is a inductee into the Colorado Women's Hall of Fame which recognizes women "change agents" of international influence. Her columns on issues of social justice, spirituality and culture are archived under her signature title: El Rio Debajo del Rio "The River Underneath the River" on the National Catholic Reporter website. She is controversial for proposing that both assimilation and holding to ethnic traditions are the ways to contribute to a creative culture and to a soul-based civility.

She successfully helped to petition the Library of Congress, as well as worldwide psychoanalytic institutes, to rename their studies and categorizations formerly called, among other things, "psychology of the primitives", to more respectful and descriptive names, according to ethnic group, religion, culture, etc.

These texts are then used for learning to read and write. Much of my writing is influenced by my family people who were farmers, shepherds, hopsmeisters, wheelwrights, weavers, orchardists, tailors, cabinet makers, lacemakers, knitters, and horsemen and horsewomen from the Old Countries. The Soul, goes everywhere, like an old woman in her right mind, going anywhere she wishes, saying whatever she wants, bending to mend whatever is within her reach.

Wherever she goes, the Soul brings new life.